The White Boy Saved Us All Again in Gladiator II
A direct fall into the white savior narrative

This Korean thriller begins as an organized crime kingpin murders his wife and child and then turns his gun on himself. His policeman brother, an identical twin, returns to his hometown only to find, to his surprise, that he is immediately mistaken for his dead brother. As disillusioned with law enforcement as his brother was with criminal life, the policeman takes on his brother's identity, enmeshing himself in the violent life that ultimately lead to his brother's demise.
A direct fall into the white savior narrative
Vivarium is an uncomfortable and startling look at how easily progress devolves in the face of overwhelming stress.
“Trust your gut" is one of the most common pieces of advice you’ll receive during your lifetime. And as a person inclined to trust my intuition above all else, it’s the most common advice I find myself giving in real life and in my online socialising. But what happens when your gut is trying to warn you that something is seriously wrong without you being able to identify what triggered it in the first place? How can you act on a feeling or make it go away when you don’t have a clue about what could be wrong? How can you trust your intuition when you don’t know what makes it act out in the first place?
'Playing with Fire' was clearly a film made for a kid or tween-ish audience. Keeping that in mind, I thought 'Playing with Fire' was alright, though it did portray some harmful stereotypes.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.