The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

Shane MacQuade is a rising star in Hong Kong's underworld kickboxing rings... until he wins a fight he was supposed to lose. Framed for murder, running from both the Triad mob and the police, Shane escapes to America. There, a chance encounter with a professional hitman in the Nevada desert ends with Shane taking the man's identity and his life. Shane finds that the violent world he left behind in Hong Kong is too strong to escape. A crooked Las Vegas fight promoter and a stripper named Angelique draw him into a web of sex and murder that will test his martial arts skills to their limit and change his life forever.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
This is a film that is going to leave some people bored, and some people thrilled.
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.