Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Khagi – Tragger poster

Khagi – Tragger 

According to ancient legend, the artist found a mineral that can revive any inanimate thing. To hide the mineral, he inserts it into a doll named Hagi. A century later, Hagi falls into the hands of a puppeteer, and he with horror discovers that the old doll is alive. Moreover, she also has a nasty character. Criminals try to take possession of it in order to use it for mercenary purposes. But they do not know the secrets of this doll - no one can take possession of it, but it has a destructive effect on any person who falls within its influence.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


According to ancient legend, the artist found a mineral that can revive any inanimate thing. To hide the mineral, he inserts it into a doll named Hagi. A century later, Hagi falls into the hands of a puppeteer, and he with horror discovers that the old doll is alive. Moreover, she also has a nasty character. Criminals try to take possession of it in order to use it for mercenary purposes. But they do not know the secrets of this doll - no one can take possession of it, but it has a destructive effect on any person who falls within its influence.

Rating:
Genre:Horror, Crime
Directed By:Eldor Urazbaev
Written By:Vladimir Bragin
In Theaters:
Box Office:

Runtime:87 minutes
Studio:Studio 12-A, Stargaze Productions

Articles You May Like


Honey Don’t!: A Messy Queer but Mischievous Comedy

Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.

Nilufer Ozmekik