Gus Van Sant's Constant Thematic and Cinematic Elements
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.

Enn is a young student of construction who comes from a small island with high ambitions. Hilma is a city girl from a well-off family. They dream about a happy life together. Construction specialist Pilliroog becomes covetous and puts pressure on Hilma's bourgeoisie parents in order to catch Hilma's attention and win her friendship. In order to get what he wants, Pilliroog stops at nothing and fears no intrigues nor violence. Depicting the life of the nouveau riche in Tallinn during 1920s adds the socio-critical touch to the silent film. Only 1 min and 9 seconds of this film are preserved.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
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Han's turn to villainy in 'Frozen' was foreshadowed cleverly in the story.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.