
Enn is a young student of construction who comes from a small island with high ambitions. Hilma is a city girl from a well-off family. They dream about a happy life together. Construction specialist Pilliroog becomes covetous and puts pressure on Hilma's bourgeoisie parents in order to catch Hilma's attention and win her friendship. In order to get what he wants, Pilliroog stops at nothing and fears no intrigues nor violence. Depicting the life of the nouveau riche in Tallinn during 1920s adds the socio-critical touch to the silent film. Only 1 min and 9 seconds of this film are preserved.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
An indie production of a romantic drama with a country-western feel meant to explore lost love.
Masterful satire that shines a light on the struggles of Black creatives.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
'Riders of Justice' perfectly depicts some masculinity problems present in our society. Moreover, it talks about how hard is to lose someone and how different people deal with the situation.