“The Odyssey” and Moving Forward
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved

KENNY: THE MARXIST WHO WOULD BE MAYOR tells the story of Ken Cockrel Sr., a politician, attorney, and revolutionary who took on the police and the power structures of Detroit in some of its most tumultuous times from the 60’s through the 70’s. Through Cockrel’s battles both in and out of the courts, KENNY paints the story of a country undergoing rapid change, caught in a civil rights battle in which police officers were empowered to hunt and kill its citizens. Combining rare footage and interviews with those who knew him best, it charts the unbelievable rise to prominence of a radical Marxist and brilliant legal mind who took on Chrysler Corporation, the Detroit Police Department, and power structures of the entire city before his untimely death.
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.