Ken Katakura (Naoto Takenaka) has worked as a salaryman for the past 25 years. He's on his way to Malaysia to stop his daughter's wedding. Unfortunately for Ken, the plane makes an emergency landing in a remote part of Malaysia, far from the capital city of Kuala Lumpur where he needs to go. With only 2 days left until his daughter marries, Ken looks for a way to get to Kuala Lumpur. Ken then comes across an odd Chinese truck driver named "Mary" and, with his help, sets out for Kuala Lumpur.
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.
It’s been awhile since I’ve seen a film that is jarring within the first five minutes. Being at the edge of my seat from the very beginning made me feel both excited and frightened for what was to come, and it did not disappoint. Led strongly by Jennifer Lawrence as Grace, a woman trapped in the “American dream”, this film shows that society tells us what should make us happy. Many critics describe Die My Love as being about post-partem depression, but it is so much more. After moving to a secluded home with her husband Jackson, Grace finds herself in the throes of motherhood. Feeling isolated in her physical environment and her romantic relationship, Grace suffers psychologically. Lawrence brings a sense of rawness and humor to the screen that is often uncomfortable. Robert Pattinson adds to the discomfort as her loving, yet lost husband Jackson, who cares about his wife but does not know how to help her. Lynne Ramsay has presented a film that forces us to look at the realness of life, and what happens when the promise of what should make you whole fails.
A gentle coming of age story, Water Lilies takes its time in exploring what it’s like to be a young girl trying to make sense of her sexuality in a heteronormative world.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
