
The black cooperative Cornwall boar achieves single-handedly, so to speak, what the LPG functionaries in Bolbitz fail to do. He takes away the individual farmers' fear of the LPG by secretly covering their sows at night. The black piglets frighten the farmers at first, because black litters mean bad luck and presuppose a sin. Collectivization is seen as a sin by the superstitious, especially Grandma Kahlow. But when even the priest's sow is not spared and they find out who the "culprit" is, the superstition dissolves into laughter and the fear of the LPG is banished.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
Sing 2 the beat in this jukebox sequel featuring anthropomorphic animals with musical talent.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.