"Opus" Is Fun But Doesn't Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.

On the day of Karo's first communion, her parents' marital problems come to light. The ensuing separation hits her hard. Karo complains to God about her desperate situation via walkie-talkie. A gruff voice answers, eventually identifying itself as God and unwittingly providing proof of this. When Karo sees the man behind the voice, she is overcome with doubt. With the goal of reconciling her parents in mind, she forces the man into his divine role and thus to help her. The attempts staged by Karo and God to save her parents' marriage trigger a rollercoaster of emotions. In the end, Karo has grown from her failed goal and has not only found new friends for her life, but also a new perspective.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
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