Haikal was proud to ride on a motorcycle with his father when he was young. However, that feeling gradually faded, even though the motorcycle remained his father's regular means of transportation. Jamil cherished his motorcycle dearly despite its poor exterior condition. For him, he would continue to use his motorcycle's services as long as he could. As Haikal grew older, he began to forget the motorcycle's contribution to him, and felt ashamed if Jamil rode the motorcycle. Eventually, Haikal realized that the motorcycle was his savior during a critical moment of his life.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
While everyone was going gaga over The Odyssey, Desert Warrior was quietly taking audiences on an epic Arabian “knights of the sand table” adventure
Black Christmas movies are few and far in between to find — so it is wonderful to see more representation on the screen just in time
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
I was able to sit down and talk with the director of the short film Dog Lover Anne-Sophie Bine as she discussed and how she came to be in film.
