Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

During the Kadamba reign, King Vijayendra, the ruler of the fictional feudatory land of Bangra, meets his final fate while venturing into the mystical forest of Kantara. Witnessing this, his son Rajashekara seals the borders of their realm. Later, Prince Kulashekara reopens them through a brutal massacre. The protagonist, Berme, in search of prosperity, crosses the divide and ignites a conflict of faith, power, and destiny between the Kingdom and Nature.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
This Comedy-Drama set in Nazi Germany, shows a young boy, Jojo who wants to be Hitler's personal guard and even conjures up Hitler to be his imaginary friend. His nationalism and prejudices of Jews change when he discovers a Jewish girl hiding in his attic.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.