Looking Behind the 'Z-O-M-B-I-E-S' Trilogy
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.

Takeshi Hongo and FBI agent Kazuya Taki fake their deaths when they are attacked by Shocker soldiers during a motocross race. They disguise themselves as Shocker soldiers and infiltrate the main headquarters, but it doesn't take too long for Ambassador Hell to find their whereabouts and trap them. Before he detonates a bomb within the base, Ambassador Hell tells Kamen Rider #1 and Taki that Shocker is preparing a giant laser capable of destroying cities. Our two heroes must escape from the base's self-destruction and stop Shocker from arming their latest weapon. Not only that, they must rescue Tachibana and the racing club, who have been abducted by Shocker's minions.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
'Zero Refills' highlights the despicable treatment of the less fortunate by healthcare providers and big pharmaceuticals.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
It's sexy, regardless of what else is going on.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.