
When a powerful new foe known as the Legendorga arises in 2008, Wataru investigates the mystery behind the crisis, which brings him in contact with a man Nago once knew, Shiramine Takato, whose 3WA also possess their own Rider System. When Shiramine explains how everything began in 1986, Wataru uses Castle Doran’s Time Door to travel back in time, leading him to meet his father face-to-face at last. But has Wataru managed to change the future, or will the Legendorga still rise and enslave humanity?
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
This coming-of-age Mexican movie is about a group of school children who fulfill their dreams.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.