"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

An unexpected discovery pushes a vengeful, battle-hardened soldier into tracking down a charismatic movie star — the man he suspects of having a secret, whirlwind romance with his wife.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
With a cast of exceptional and exclusively openly gay actors, "Boys In The Band" takes on themes of homophobia, racism, vanity, and substance abuse.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.