‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.

Haunted by memories of his ex-girlfriend Alice, a heartbroken Billy returns home to Northern Virginia seeking solace from old friends. But what he finds there is more disconcerting: his best friend Stanley has become unstable, mysterious and withdrawn from those around him. Billy teams up with another old friend to find out what's going on and as they probe Stanley's recent activities, their friend's behaviour seems more and more bizarre and frightening.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
This film was filled with great plot points. Unfortunately, they all contradicted each other and clashed. Had the premise of Awake been more consistent and accurately portrayed the real world aspect, I think this could have been an extreme success.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.
Even after a history changing event, the 93rd Oscars proved it always had the space for more inclusivity in its award ceremony. But it this enough to change the boycott?
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.