Kaku Kamu 

April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.

Gritty and bleak are the best words to describe this film. There’s nothing happy about it.

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

Behind all the action, 'Space Sweepers' is a surprisingly heartfelt and progressive story about building community.

'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.

'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.