'Kaafiron Ki Namaaz' is about a recently court martialed army officer, a writer and a musician who confess their most personal secrets to each other on a rainy Christmas Eve somewhere in Srinagar, Kashmir. What begins as a dramatic discussion between the army officer and the writer in an old, abandoned hotel soon turns into a chilling meeting raising some pertinent issues. Meanwhile, the writer's camera assistant stands as a mute spectator and records everything on his camera.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.
A Christmas tale that everyone is wishing for, and that everyone will remember.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
