Movie Review: Sofia Coppola’s ‘On the Rocks’
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

This is the story of happy-go-lucky young collegian Raja, who lives with his father, a retired school-teacher, mother, a housewife, and elder brother, Shankar, a gangster and hit-man for a criminal don named Anna. When Shankar is betrayed by Kaalia Abdul, Anna asks his men to kill Shankar, which they do. Raja abandons his studies, his sweetheart, and go on a mission to find his brother's killers. Soon he, too, becomes a pawn in Anna, Kaalia Abdul, and Minister Dharmadhikari's mind games, and is pitted against his former friend and Police Inspector Pratap, and present Police Inspector Sidhant - who has been assigned to bring in Raja - dead or alive.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.
Overall, The Shining is a great film to watch for its atmosphere and setting. While the characters’ portrayals could’ve been more accurate to the book, they’re all still memorable nonetheless.