It Goes all the Way to the Top: Motherless Brooklyn
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).

A solar eclipse has brought people to the edge of madness. The Earth witnesses extreme brutality manifested by the need to make terrible sacrifices to an unknown evil. How could this have happened? Is this the wrath of God? Such is the view of a group of extremists who are quick to deal with those responsible. But who decides who is guilty and who is not? Vahid Vakilifar’s fourth film offers an intoxicating, visionary sci-fi which, in spite of the darkness consuming the world, believes in the power of light. Even the goriest images conceal at least a sliver of hope; they serve as a necessary ritual if we are to accept the demons that inhabit us all.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
This Pride month, Hulu’s 'Love, Victor' comes to a close with its third and final season—it’s most complicated yet sweetest season yet.
Despite being an over-talked-about piece of media, 'Euphoria' has some interesting articles about it with personal angles that oppose the average tendency to be generic.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
A lonely little Hawaiian girl and her mischievous blue alien friend form a bond that heals both of their hearts, as well as ours. This live action version adds emotional nuances—notably in the sisters’ dynamic—while preserving the charm of the original.
A throwback to the last months of the 20th century in this comedy film.