“Line Of Control”
A masterful portrayal of a long-forgotten story that needs to be told.

This period fantasy is a tale about a good general Angar (Chandramohan) who is corrupted by ambition. Echoing 'Macbeth', the loyal Angar is told by the witch Kuntala (Ashalata) that his king (Bulbule) shall die and that he shall be king instead. Angar then kills that king and seizes power. Departing from 'Macbeth', Angar's wife Mangala (Ratnaprabha) and his friend Tarang (Chandrakant) do not approve and they eventually join forces with the people against Angar.
A masterful portrayal of a long-forgotten story that needs to be told.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
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The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.