TIFF ‘22 Coverage: ‘My Policeman’
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.

Tom Lessard, a 30-year-old depressed watch salesman from Newark, NJ, is disappointed to learn that not only must he attend a three-day watch sales convention in Charlotte, NC, but he must do so with his rambunctious co-worker, Ralph. Miserable at the convention, Tom's luck turns around when he meets April, a bartender at the hotel lobby bar. She convinces him to leave the convention and they find themselves exploring Charlotte. The two spend the day in and out of museums, parks, and pubs. Aided by April's free spirit, Tom is able to take a closer look at himself and the choices he's made to get him where he is. His passions, fears, and outlook are all exposed by April. The question is, will he do anything about it?
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
The live-action remake of the classic Disney film based on a wooden puppet is finally here.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
Sisters Mia and Emma discover and hunt down a unicorn with magical blood and want to protect it.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.