Gus Van Sant's Constant Thematic and Cinematic Elements
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.

How often do we live through two, three, or even more versions of ourselves during one lifetime? How often do we change, irreversibly, under the influence of other people, often close relatives? The timid Polya (24) works as an accountant and studies economics. She is in love with Kirill (25), who is her polar opposite. Kirill is a young cameraman: ambitious and talented. Kirill and Polya love each other and try to live together, but each of them has their own philosophy, their own value system and their own convictions. Even when they part, Kirill and Polya continue to carry on an inner dialogue with each other. Everyone tries to prove to the other that they can achieve everything on the other’s wish list. Twenty years later they meet, and now the heroes must find out the most important thing: whether one of them has found happiness in those years.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
The sparks of a dangerous conspiracy ignite a mystery in this sequel based on the mysteries of Sherlock Holmes.
A documentary film about a disabled female athlete who builds courage within herself and seeks faith.
'Don't Breathe 2' is a sequel that forgoes almost everything that made its predecessor good, and asks audiences to root for a rapist on top of that.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.