
Rich playboy Big Lamp (Frankie Chan) comes back from France to inherit his just-deceased father's fortune, only to discover much to his dismay that his dad has donated all his wealth to charity, leaving him merely four words: Work Hard For Yourself! Falling suddenly from riches to rags, Big Lamp is forced to seek shelter at old butler Uncle Yim's (Wu Ma) home. He then hooks up with his former "Bank Check" bandmates: Gossip (Charlie Cho), Lemon Head (Liu Wai Hung), Cat's Poo (Melvin Wong), and gets involved in the fight over Lemon's sassy cousin, Sally (Sally Yeh).
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
Street Fighter cannot be genuinely recommended, even if it is abundantly clear that much effort was expended.
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
Juno is extremely funny, very well-written, and contains great performances. The film is also about a very important topic, one that is extremely relevant now: women’s reproductive rights. Is this Oscar-winning film spreading a pro-life or pro-choice message to its audience?