Dissecting the Casual Racism of “Airplane!”
Airplane! (1980) is a fun spoof comedy with lots of laughs, right? I watched this film for the first time the other night. I loved it. Then came the racist jokes.
Junji Inagawa's Short Horror Cinema: Horror of Legend
This is the third in a new series of short horror-cinema films depicting contemporary fears with Junji Inagawa as the storyteller. It includes "Peony Lantern," a traditional Japanese ghost story performed with beauty and sadness by Nanako Okochi, as well as "Kuma Onna," "Yamamba," and "Nurarihyon," a total of four stories.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
This is the third in a new series of short horror-cinema films depicting contemporary fears with Junji Inagawa as the storyteller. It includes "Peony Lantern," a traditional Japanese ghost story performed with beauty and sadness by Nanako Okochi, as well as "Kuma Onna," "Yamamba," and "Nurarihyon," a total of four stories.
Rating:
Genre:Horror
Written By:
In Theaters:
Box Office:
Runtime:48 minutes
Studio:
Cast
Articles You May Like
Director Anne-Sophie Bine Talks ‘Dog Lover’ and Inception of Film Career
I was able to sit down and talk with the director of the short film Dog Lover Anne-Sophie Bine as she discussed and how she came to be in film.
The Rape Post-Memory in 'Grbavica'
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
We Are Going to Sing 2 the Redshore City
Sing 2 the beat in this jukebox sequel featuring anthropomorphic animals with musical talent.
'Black Panther: Wakanda Forever' Is A Transitional Film Honoring The Mantle and Impact
The nations of Wakanda and Talokan enter war over their opposing viewpoints on dealing with the destructive hearts of humankind on the surface world.
Game of Thrones Retrospective: No One Wants to Sit on the Throne Anymore
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.