The Relentless Victimization of Marilyn Monroe in "Blonde"
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.

In Junction 88, a small all-black community, pretty Lolly Simpkins loves gentle songwriter Buster Jenkins, who makes too little money to marry. Her father favors rival suitor Onnie, crude but with a better income. Buster's best chance comes when impresario Bob Howard, to whom he's sent songs, comes to town looking for him. But Bob is looking for a pseudonym, 'Hewlett Green', that nobody's ever heard of. Will Buster reveal himself? Meanwhile, a very jazzy church concert.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
This Agni Kai looks cool and is funny as well!
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
The "Daredevil" renaissance is finally upon us! As we return to the Netflix show, let's take a look at the ways the show gets blindness right and wrong.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.