Rallies and Musical Numbers: Hairspray Unpacks Racism in The 1960s
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.

In Junction 88, a small all-black community, pretty Lolly Simpkins loves gentle songwriter Buster Jenkins, who makes too little money to marry. Her father favors rival suitor Onnie, crude but with a better income. Buster's best chance comes when impresario Bob Howard, to whom he's sent songs, comes to town looking for him. But Bob is looking for a pseudonym, 'Hewlett Green', that nobody's ever heard of. Will Buster reveal himself? Meanwhile, a very jazzy church concert.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
A summary of the films featured in this annual event taking place in Westchester.
Ultimately, Wicked is a story about the cost of being othered, the pain of being misnamed, and the quiet revolution of standing in your truth.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
Women who pray together, play together. Very rarely would I describe a story about a group of punk rockers as “whimsical”, but such an engaging array of visual and comedic components make this stand-out new series the star that it is.