"Thunder Road": Guilt, Grief, Regret, and Suicide
"Thunder Road" presents the grief that comes from a family member taking their own life.

July is the story of Tarjei meeting his childhood friends in their childhood summer paradise some years after they left high school. In the pressing summer heat of July, old love flourishes and everything seems to be as it once was. But when the group is faced with a difficult choice during a childish game, Tarjei involuntarily witnesses his own moral shortcomings and begins to question everything he holds dear.
"Thunder Road" presents the grief that comes from a family member taking their own life.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.