Judas é Meu Avô 

Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.

Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.

I have no idea how getting an abortion is still not a basic right at this point, but that means the fight is far from over. So, films like Happening are ever-relevant.

Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.

True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.