This is the story about Joy who falls in love with an older man (she has been looking for her missing father all her life), and then travels around Paris with him and his other female companion, experiencing a broad range of sexual encounters.
"Rodgers' & Hammerstein's Cinderella" wasn’t just a fairytale, it's a Black girl's fairytale. It was a fantasy world where the undeniable beauty of Black girls and Women was celebrated and beloved.
Greta Garbo, a queer actress playing a real-life queer Queen is the best of both worlds.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
