Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Journey to a Land Otherwise Known poster

Journey to a Land Otherwise Known 

In a film, meeting a strange tribe often starts with the plunging view from a building necessary to the journey. The architecture of Jean-Pierre Secq dubbed the noise of the waves washes over us in this way. However, to open it, the construction was massive and still, unfolding the three concrete wings of this equatorial greenhouse in Lille. This essay on the conquest of America assumes its own contradiction, underlined by a montage of texts by colonisers: Bernal Diaz del Castillo, Hans Staden, Jean de Léry, Charles de la Condamine and the use of costumes and masks inspired by Brazilian modernism. The discovery of a new world conducted in slow motion listening to the minutes of an unlikely trial of the invaders. The most restrained of movements, surplus, to make the most of rediscovering the New World. Gilles Grand, FID Marseille catalogue, 2012.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


In a film, meeting a strange tribe often starts with the plunging view from a building necessary to the journey. The architecture of Jean-Pierre Secq dubbed the noise of the waves washes over us in this way. However, to open it, the construction was massive and still, unfolding the three concrete wings of this equatorial greenhouse in Lille. This essay on the conquest of America assumes its own contradiction, underlined by a montage of texts by colonisers: Bernal Diaz del Castillo, Hans Staden, Jean de Léry, Charles de la Condamine and the use of costumes and masks inspired by Brazilian modernism. The discovery of a new world conducted in slow motion listening to the minutes of an unlikely trial of the invaders. The most restrained of movements, surplus, to make the most of rediscovering the New World. Gilles Grand, FID Marseille catalogue, 2012.

Rating:
Genre:
Written By:Laura Huertas Millán
In Theaters:
Box Office:

Runtime:22 minutes
Studio:Le Fresnoy

Articles You May Like


'Oxygen': Mélanie Laurent Helps Elevate a Familiar Premise

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

Matt Geiger