I'm Going to be Late
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.

The farmer has a thing for his hen, Joséphine. A good egg overall and exceptional egg-layer, it’s almost as if Joséphine is the barnyard sweetheart. One day, the farmer brings back a strange object, a sharpened ax, that stirs up the hen’s curiosity.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Not every silence is empty. Some are filled with things too heavy for words.
Ever since the mid-’90s, the Mortal Kombat game franchise has seen multiple attempts to make it on the big screen, or at least adapted into other media.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.