Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Joshua poster

Joshua (2006)

Kelby Unger is a young man from a dysfunctional family that lives with his girlfriend Amelia Gates and has sleeping problems with dreadful nightmares. When he proposes Amelia, he coincidently receives a phone call from the warden of the prison of his hometown telling that his father had just died from heart attack. He decides to return to Bisbee for the funeral and Amelia goes with him. Kelby and Amelia lodge at his mother's house and he meets his slut sister Trish, his former friends James Lilly and the policeman Wally and his unknown uncle Tom. When Wally has a nervous breakdown with the name of Joshua, Kelby is haunted by the evil past in Bisbee.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Kelby Unger is a young man from a dysfunctional family that lives with his girlfriend Amelia Gates and has sleeping problems with dreadful nightmares. When he proposes Amelia, he coincidently receives a phone call from the warden of the prison of his hometown telling that his father had just died from heart attack. He decides to return to Bisbee for the funeral and Amelia goes with him. Kelby and Amelia lodge at his mother's house and he meets his slut sister Trish, his former friends James Lilly and the policeman Wally and his unknown uncle Tom. When Wally has a nervous breakdown with the name of Joshua, Kelby is haunted by the evil past in Bisbee.

Rating:R
Genre:Horror
Directed By:Travis Betz
Written By:Travis Betz
In Theaters:1/1/2006
Box Office:

Runtime:95 minutes
Studio:Drexel Box Productions

Articles You May Like


‘Minari’: Authenticity Without The Trauma Porn

When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.

Aspen Nelson