Not Much More than Magic in 'Maestro'
In 'Maestro,' we're left with an impression but not with an understanding of the main character.

A document that summarizes images of the energetic Mexican muralist's most significant works, using rhythmic montages that reflect the prevailing mood of each of his pictorial periods and a complex soundtrack composed of effects and various orchestral and choral interventions. Devoid of narration and didactic rigidity, this short film focuses its resources on the pure enjoyment of Orozco's work.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Another story focuses on the bond between a young man and a shelter dog in this Netflix drama film.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.