Pitch-noir melodrama about young Kauko's endless obsession and love-hate-relationship with Osmi, a girl he has known since childhood. Standing at her death bed, Kauko reminisces his years spent as a sailor, prisoner, smuggler, and a soldier in the Second World War, while Osmi manages to evolve from prostitution to a seemingly happy family life with someone else.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
The importance of trying new things and teamwork are two life lessons explored in this family-friendly sports film.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008's absolutely excellent "Iron Man". The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale "Avengers: Endgame".
