Quintessential Directors: Barry Jenkins
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
John Tucker Must Die (2006)
After discovering they are all dating the same same guy, three popular students from different cliques band together for revenge, so they enlist the help of a new gal in town and conspire to break the jerk's heart, while destroying his reputation.
3.5 / 5
PopScore
Incluvie Stamps
Representation
Pictures and Videos
Movie Information
After discovering they are all dating the same same guy, three popular students from different cliques band together for revenge, so they enlist the help of a new gal in town and conspire to break the jerk's heart, while destroying his reputation.
Rating:PG-13
Genre:Comedy, Romance
Written By:Jeff Lowell
In Theaters:7/27/2006
Box Office:$68,844,775
Runtime:87 minutes
Studio:John US Productions, Landscape Entertainment, Dune Entertainment, Major Studio Partners, 20th Century Fox
Articles You May Like
The Lack of Exposition Makes 'Fast Color' a Compelling Narrative on Repressed Personalities
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents
“An American Pickle” Should Have Stayed in the Jar
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
We're 'All Together Now' to Give a Hand
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
I Felt so Disconnected from 'Last Night in Soho'
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
"Him" (2025) Film Review-The realities of making the grade in professional sports gets a cultism-driven, horror film makeover
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.