Why We Need a ‘Princess and the Frog’ Remake
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.

John G. Morris: Eleven Frames (2010) is a documentary that explores the career of John G. Morris, one of the most influential photo editors of the 20th century. Known for his work with legendary photographers like Robert Capa and Henri Cartier-Bresson, Morris was instrumental in shaping the way iconic historical moments were visually documented. The film centers on Morris’s decision to publish 11 frames from Capa’s D-Day photographs, which became some of the most significant images of World War II. Directed by Michelle and Olivier Richard, the documentary blends interviews, archival footage, and personal reflections to capture Morris’s profound impact on photojournalism, his ethical approach to imagery, and the emotional weight of curating war photographs. John G. Morris: Eleven Frames offers a compelling glimpse into the life of a man whose editorial choices helped shape public perception of world events.
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.
A legacy based on the comic strip for old and new fans of Peanuts.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.