"Project Hail Mary" Didn’t Take Off
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.

Premier Joh Bjelke-Petersen reigned over Queensland for 19 tumultuous years (1968–1987). Hugely popular, he presided over enormous growth, but corruption raged under his tenure, as did electoral manipulation and often violent suppression of dissent. This film tells Joh’s story through rare archival footage and revelatory interviews, exploring a life shaped by a hard yakka, god-fearing upbringing on his family’s farm. Trump’s spectre is evoked in Joh’s famously mangled and meandering way of speaking – brilliantly dramatised by Richard Roxburgh – alongside his unyielding execution of power and the desperate denial of his final days in office.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.