Premier Joh Bjelke-Petersen reigned over Queensland for 19 tumultuous years (1968–1987). Hugely popular, he presided over enormous growth, but corruption raged under his tenure, as did electoral manipulation and often violent suppression of dissent. This film tells Joh’s story through rare archival footage and revelatory interviews, exploring a life shaped by a hard yakka, god-fearing upbringing on his family’s farm. Trump’s spectre is evoked in Joh’s famously mangled and meandering way of speaking – brilliantly dramatised by Richard Roxburgh – alongside his unyielding execution of power and the desperate denial of his final days in office.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
This is a list of seven films that explore police brutality and systemic racism made by Black filmmakers. These are important movies to watch and to take in, as — through the power of cinema — they showcase what it feels like to be a Black person living in a country that is internally designed to be against you.
Wanda and Vision are suffering under the stress of parenting their twin boys.
This is not McDonald’s. This is something different.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
