EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

Australian film editor Jill Bilcock is one of the world's most sought after film editors, having edited beloved films such as STRICTLY BALLROOM, ROMEO+JULIET, MURIEL’S WEDDING, ELIZABETH, MOULIN ROUGE!, ROAD TO PERDITION and THE DRESSMAKER. This documentary looks at her craft and charts how an outspoken arts student in 1960s Melbourne became one of the world’s most acclaimed film artists. Featuring interviews with Jill and many of today's leading filmmakers and actors, such as Baz Luhrmann, Jocelyn Moorehouse, Sam Mendes, Shekhar Kapur, Fred Schepisi and Cate Blanchett.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
At Coopers Chase, murder isn’t just tragedy—it’s Thursday’s entertainment. Chris Columbus’ The Thursday Murder Club transforms Richard Osman’s bestselling series into a cozy, clever whodunit where Helen Mirren, Pierce Brosnan, Ben Kingsley, and Celia Imrie prove that life’s sharpest twists don’t stop with age. With llamas on the lawn, cakes at the ready, and secrets around every corner, this star-powered mystery balances charm, humor, and heartache, reminding us that friendship, resilience, and reinvention might just be the ultimate clues.