Wreck-It Ralph Transforms from Bad Guy to Good Guy
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

Upon rescuing a friend who is being held captive by a wicked classmate and his gang of bullies, 11-year-olds Tetsushi, Yuusuke, and Ryoji unexpectedly find themselves entwined in a supernatural battle against the forces of hell. Armed with courage, wit, and three magical charms given to them by a mysterious hermit, they set out to thwart the evil in a quest, which takes them to the depths of hell and brings them to a final battle with the god of death himself.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Great films not only give us great stories, but also great soundtracks. Here are some of our favorite picks for soundtracks songs.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
"Up" features one of Pixar's few Asian-American heroes and explores the institutionalized hardships elderly people face. Also, Dug is a good boy.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.