Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A dark-skinned call taxi driver starts chatting with a pretty girl on Facebook under the profile of a good-looking guy. He yearns to marry her, but life has quite a bunch of twists in store for him.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
This Netflix series is about Ashley Garcia, who gets a once in a lifetime opportunity to work at NASA.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
Personalities clash and tempers fume in a family-run Chicago restaurant