Wednesday Addams
The iconic title character stars in her own horror and gothic TV series.
Jigging
A perfect day, blue skies and perfect weather. Zé is going fishing. On a desert lake a strange and charismatic character rents boats using an old semi abandoned trailer. Both of them are part of an infernal cycle that will end up transforming the prey into the hunter. The one who dies kills and the one who kills is already dead.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
A perfect day, blue skies and perfect weather. Zé is going fishing. On a desert lake a strange and charismatic character rents boats using an old semi abandoned trailer. Both of them are part of an infernal cycle that will end up transforming the prey into the hunter. The one who dies kills and the one who kills is already dead.
Rating:
Genre:Comedy, Drama, Thriller
Written By:Ramón De Los Santos
In Theaters:
Box Office:
Runtime:15 minutes
Studio:Gravity Films Plus
Cast
Articles You May Like
A Conversation With the Filmmakers of 'When Men Were Men'
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.
"Doctor Doctor" Indie Film Review-Hostage crisis comedy with a hypochondriac-centric heart
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
"Pike River" Takes Us Into the Tragic True Story
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
“Come Play”: Creepy Concept, Lackluster Story
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
'Lady Chatterley’s Lover' is Inclusive of all Gender Perspectives
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.