Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Little Jerguš's father was killed by gendarmes. To help his mother, the boy is hired as a laborer, then goes to the factory, to the city, but, unable to withstand the cruel exploitation, hoping to become free and independent, returns to the mountains, where his father once fought for the good of the people.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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