'Zom 100' Critiques Predatory Capitalism
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.

After losing her beloved cousin and longtime manager, Indian star Alisha steps away from the spotlight and travels to Jeju Island to fulfill a promise they once made together. There, she unexpectedly crosses paths with Ha Sun-woo, a former K-pop idol and singer-songwriter who has retreated to Jeju after his own career and confidence were shaken by the past. What begins as a chaotic misunderstanding gradually turns into an unexpected connection. Over the course of a week, Alisha and Sun-woo explore Jeju's breathtaking landscapes, share music, laughter, and quiet moments, and slowly begin to open up about the wounds they have kept hidden from the world.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.
This holiday movie serves as the prequel to the TV series The Really Loud House.
'Brother' is a gripping family drama with dazzling performances all around.