An Aquatic Tale of The Little Mermaid (2023)
The live-action remake brings adventure and shows viewers why representation is important in a Disney Princess movie.

Philosophers have long pondered the question: What would happen if a zombie had no teeth with which to eat brains and other body parts? Now, at long last, we know the answer: Plenty! When a toothless Frenchman finds himself the latest victim of a zombie plague, he is befriended by an overly-wholesome family that belongs more in a 1950s sitcom than the world of today. Half pet, half best friend for young Timmy, and all dead, Jean Claude proves that you don't have to have brains to eat them. Or something.
The live-action remake brings adventure and shows viewers why representation is important in a Disney Princess movie.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Make no mistake about it, Gilligan has created a continuation that earns its place in the annals of Breaking Bad lore. El Camino isn't a forced entry in an otherwise brilliant world of fiction. This is a satisfying take, which manages to give closure to an iconic character of fiction.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.