Weird Just Got Its Own Movie In, 'Weird: The Al Yankovic Story'
Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".

This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.
Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.
The new biopic 'Elvis' highlights the beginning and end of the career of this rock and roll legend. The audience is taken on this journey knowing the tragic ending but not so much about what led him there. A large topic of discussion is the influences on Elvis that made him who he was as a singer, musician, and performer, which were blues, gospel, and country. Many of the songs that rose him to fame were songs by Black artists he heard growing up in primarily Black settings.
Trolls: World Tour doesn’t just pay lip service to diversity and inclusiveness. There is no white-washing of the voice actors. From the actual K-Pop group Red Velvet voicing the K-Pop Troll bounty hunters to Keenan Thompson playing the Tiny Diamond baby to Kunal Nayyar’s Guy Diamond, the cast includes more than just token minorities.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.