Jazz Suave 

It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.

For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

I like discovering something new among the old and Tubi has an assortment of horror films from cinema's past for just such an occasion.

2025 has just about wrapped, so we’re taking this time to celebrate the most inclusive films that came out this year. Graded on Gender, Race, LGBTQ, Disability, and more

'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.

Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.