'Run This Town' is Ford-ified by Rob's Depletion
'Run This Town' takes an unflinching look at the Rob Ford scandal that shook Toronto to its core while using fictional millennials to drive a concise story .

A radical revisitation. This updated version of Stephen Winter’s 2015 film unearths the ghosts of Jason and Shirley, restaging the volatile 12-hour shoot of the 1967 documentary Portrait of Jason—held at the Chelsea Hotel—which blurred the line between subject and storyteller. Jason Holliday, a sharp-witted Black gay man, whose identity splits between personas–performer, hustler, muse, provocateur–is once again in the room with Shirley Clarke, the Oscar-winning filmmaker who insisted on framing his life. Now, with newly unearthed footage, the director returns 10 years later, not to resolve the contradictions, but to reopen them. What was once a document becomes a haunting, a conversation with what was left outside the frame. Time folds. Power shifts. And Jason, still impossible to contain, speaks back.
'Run This Town' takes an unflinching look at the Rob Ford scandal that shook Toronto to its core while using fictional millennials to drive a concise story .
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.
In 1971, when discussions about how to integrate their school system break down, the community of Durham, North Carolina agrees to bring in Bill Riddick(Babou Ceesay) to conduct a series of summits(charrettes) to help them move forward with desegregation.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.