
The big New Year's Eve. A painter who has lost his wife while studying in the U.S. tries to complete a portrait of his dead wife before the New Year, but he just can't get the eyes right. Then he has a fateful encounter with a woman named Lynn, who resembles his wife, at the airport. The two of them get into a tuk-tuk, a three-wheeled cab known in Thailand, and embark on a journey to finish what they both want to finish. The two gradually become attracted to each other, but at the same time, their hidden pasts are revealed.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.
Black Panther was obviously an epic movie and big hit! It was the highest-earning superhero movie of all time in the US! It's pretty clear that Black Panther has more meaning for race and diversity than your average Marvel superhero movie. This movie means a lot in terms of black pride and representation - and has much cultural significance in America as a whole.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.