Code name Japan is a contract killer on a job. Accustomed to staying in hotels, Japan finds himself jet-lagged in the middle of the night and forced to eat in the hotel restaurant, room service being closed. There, he meets a man, Alfred. Alfred was recently evicted from their marital home by his now ex-wife and now lives at the hotel. A loner befriends another loner, and their unexpected friendship leads their faith to a twist and turn ending ...
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
