Ofelia receives a call from her ex-wife, Maité, announcing she's in labor. On their way to the hospital, they resume the unfinished issues of their past and deal with the uncertainties of motherhood.
As I typed this, Chris Evans was being “cancelled” on Twitter. I did a little research on this since I always thought Chris Evans was well-received. It turns out the backlash is because of a white savior movie he made called Red Sea Diving Resort.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
