The story of Janosik, a legendary "Central European Robin Hood", based on real XVIII century documents and a romantic legend. Young Janosik, burnt out by war experiences and disappointment in love, joins a team of brigands. Soon after he becomes the troop's leader and is recognized as a brave and honorable commander, he never kills anyone he robs. Along with the fame he starts enjoying popularity among women. But Janosik's success raises jealousy in one of the troop's members, greedy and brutal Huncaga.
Agnieszka Holland, Kasia Adamik
Director
Václav Jiráček
Juraj Jánošík
Ivan Martinka
Tomasz Uhorczyk
Michał Żebrowski
Turjag Huncaga
Sarah Zoe Canner
Barbara
Andrzej Zaborski
Judge Skalka
Małgorzata Bela
Maria
Marcin Czarnik
Piwowarczyk
Katarzyna Herman
Zuzanna
Tatiana Pauhofová
Anusia
Danuta Szaflarska
Janosik's grandmother
Marian Dziędziel
Szyposz
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
If you want to feel the rush, you have to take the risk.