Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

The story of a teenager named Fariz who dreams of becoming a singer is hindered by the timeline of his father Rashid's past love triangle.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
Emily and Stephanie are back... just add gin and drama.
Wolverine carries Deadpool - literally and figuratively
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.